Kitab-i-Nauras
His *Kitab-i-Nauras* — “Book of Nine Rasas” — is a collection of songs composed to be sung, set within the Indian rasa framework rather than a Persian poetic one, and written in Dakhni.
It opens by invoking Saraswati, the goddess of learning, alongside the Prophet ﷺ. Read carefully it is less a statement of theology than of audience: a ruler addressing the people he actually governed, in the idiom they actually used.
A court, not a doctrine
He was a serious patron of music and of painting, and Bijapur under him produced some of the finest Deccani miniatures — a school with a palette and a mood distinct from Mughal work of the same decades.
It is easy to over-read this as programmatic syncretism. The more defensible reading is a court confident enough in its own position to draw on whatever was locally available.