2b · How Dakhni differs · 7 rules, every example from a verse in this course

Same script, older voice

The Deccan poets you are about to read wrote two centuries before Delhi Urdu settled its grammar. Nothing you learned changes — the letters, the direction, the words you know. A handful of small words and endings do. Here they are, each one from a line you will read next, with the editor's own 1940 gloss.

The little words that hold a sentence together are different

Where you say se (from / with / by), the Dakhni poets write soN, seete or the — and where you say ko, they write koN. These are the words that recur in every line, so once you have them the verses open up.

سوںسےsoN → sein Eid has brought joys · Zore's gloss: سے
سیتےسےseete → sein Shab-e Barat has come · Zore's gloss: سے
تھےسےthe → sein Fireworks on the earth, a garden in the sky · Zore's gloss: سے
کوںکوkoN → koin Baqr-Eid, like life itself · Zore's gloss: کو

Platts lists the form: soṅ, p. 701 · kauṅ, p. 864

Me, you, yours

mujhe and tujhe are muj and tuj; tumhaare is tuman; the emphatic mujh / tujh forms you meet in Wali are older shapes of the same words.

منجمجھےmunj → mujhein One moment of your face
تمنتمہارےtuman → tumhaarein Rain from the eyes · Zore's gloss: تمہارے
مجھمجھے / میرےmujh → mujhein A sick heart's litany
تجھتجھے / تیرےtujh → tujhein No companion as beautiful

Verbs end differently

The -e / -we endings do the work that -ta hai and -e do today: dise 'appears', aawe 'comes', hole 'has become', chuwe 'drips'. Read the stem and you have the verb.

دیسےنظر آئے / دکھےdise → dikhein My Sanwali · Zore's gloss: نظر آئے
آوےآئےaawe → aayenot yet in a verse here
ہولےہو لے / ہو گئیhole → ho gayiin Baqr-Eid brings glad news
چوےچوئے / برسےchuwe → barsein Rain from the eyes · Zore's gloss: برسے

Plurals in -aaN

Today the plural of khushi is khushiyaaN in speech but khushiyoN / khushiyaaN in writing; Dakhni writes the spoken -aaN everywhere: khushiyaaN, baraataaN, taaraaN, bulbulaaN, hazaaraaN.

خوشیاںخوشیاںkhushiyaaNin Shab-e Barat has come
تاراںتارےtaaraaN → taarein Fireworks on the earth, a garden in the sky
بلبلاںبلبلیںbulbulaaN → bulbuleNin Clamour of nightingales
ہزاراںہزاروںhazaaraaN → hazaaroNin A wind on every side

Words from Sanskrit and the Deccan

The Deccan poets reach for Hindi and Sanskrit words where Delhi Urdu later chose Persian and Arabic ones: jagat for duniya, prem for mohabbat, sundar for khoobsurat, nain for aankh, mukh for chehra, anand for khushi. Zore glosses them for a 1940 reader exactly as you need them glossed now.

جگتدنیاjagat → duniyain Shab-e Barat has come · Zore's gloss: دنیا
پریممحبتprem → mohabbatin Listen, people, to my tale of love
سندرخوبصورتsundar → khoobsuratin No companion as beautiful
نینآنکھnain → aankhin Rain from the eyes · Zore's gloss: آنکھ
مکھچہرہmukh → chehrain One moment of your face
انندخوشیanand → khushiin Eid has brought joys

Spellings you will half-recognise

The same word, written the way it was said: suraj as سرج, chaand as چند, dharti as دھرت, aasmaan as انبر (ambar). Sound the letters out and the modern word appears.

سرجسورجsurj → soorajin Fireworks on the earth, a garden in the sky · Zore's gloss: سورج
چندچاندchand → chaandin Fireworks on the earth, a garden in the sky · Zore's gloss: چاند
دھرتدھرتی / زمینdharat → dhartiin Fireworks on the earth, a garden in the sky · Zore's gloss: زمین
انبرآسمانanbar → aasmaanin Fireworks on the earth, a garden in the sky · Zore's gloss: آسمان

wo, us, is

wo is often written وو; us / is turn up as اس. Nothing else changes: the sentence order is yours.

وووہwo → wohin Magic-eyes
اُساسusnot yet in a verse here

Where this comes from

The examples are the words of the 25 Dakhni verses in this course, with the glosses Zore printed beneath them in the 1940 Kulliyat. The wider story — what Dakhni is, and whether it is a language or a dialect — is the archive's essay The Language That Went North: Dakhni Before It Was Called Urdu. A rule marked not yet in a verse here is stated from the editor's glosses on other pages and is waiting for its verse.

Now read the Deccan's own voice →