The Dawn of a Dynasty: Humāyūn's Birth in the Akbarnama

Published on 5/23/2024

The Akbarnama, Abu'l Fazl's monumental chronicle of Emperor Akbar's reign, doesn't just record events; it weaves a narrative steeped in divine purpose and illustrious lineage. The birth of Akbar's father, Humāyūn, is presented not merely as a historical fact, but as a moment charged with destiny, a continuation of a sacred light tracing back through generations.

A Propitious Arrival

According to the Akbarnama, the future Emperor Humāyūn, known formally as Zahiru-d-dīn Muhammad Humāyūn Pādshāh Ghāzī, entered the world on the night of Tuesday, 4th Zīqa'da, 913 AH (which corresponds to 6th March, 1508 CE). The location was the citadel of Kabul. His mother was the "gloriously chaste and nobly-born" Māham Bēgam. Abu'l Fazl notes her connection to a noble family of Khurāsān and her relation to Sulṭān Ḥusain Mīrzā, even suggesting a possible lineage link to the revered saint Shaikh (Aḥmad) Jām, mirroring the lineage claimed for Akbar's mother.

This birth was seen as highly auspicious. Maulānā Masnadī is credited with finding the chronogram for his birth year, 913 AH, in the very name Sulṭān Humāyūn Khān. Other learned individuals found the same date in phrases like Shāh-i-firūs-qadr (Victorious Prince) and Pādshāh-i-saf-shikan (Rank-breaking king), and even the simple blessing "Khush bād" (May he be happy). These chronograms, embedded within the text, serve to underscore the perceived destiny and inherent greatness of the newborn prince.

The Name and Its Layers of Meaning

The name given to the prince by the eminent saint Khwāja Ahrār was Zahiru-d-dīn Muhammad. Abu'l Fazl explains that while this was his formal and weighty appellation, the name Babar was also given to him. This is a point of historical interest, as Humāyūn is rarely referred to as Babar in other sources, that name being famously associated with his father. The text suggests this alternative name was given because the formal one was "not readily pronounceable or current on the tongues of the Turks," implying a more familiar or perhaps auspicious nickname.

Khwāja Ahrār's involvement in naming the prince further highlights the spiritual significance attached to Humāyūn's birth within this narrative. It connects him directly to a respected spiritual lineage, reinforcing the idea of divine favor.

A Link in the Chain of Light

Abu'l Fazl frames Humāyūn's birth as a crucial step in the manifestation of a "Holy Light" that began with the mythical figure Alanqūā and passed through illustrious ancestors like Ughaz Khan and Timur. Humāyūn is described as illuminating the world with the power of this divine light, which had been concealed under various guises through cycles and epochs. His birth marked the nearing of the time for the "final cause of that Light" – the appearance of Akbar.

This perspective elevates Humāyūn's story beyond a simple biography, positioning him as a necessary link in a divinely ordained chain leading to the ultimate ruler, Akbar. The auspicious signs and the involvement of spiritual figures like Khwāja Ahrār serve to validate this grand narrative.

Why This Matters

Understanding the Akbarnama's account of Humāyūn's birth helps us appreciate how the Mughal dynasty, through Abu'l Fazl, constructed its own history and legitimacy. It wasn't just about military conquest or administrative skill; it was about divine right, illustrious ancestry, and a destiny foretold by signs and sages. Humāyūn's arrival in Kabul, marked by auspicious chronograms and spiritual blessings, was presented as a moment of profound significance, setting the stage for his own tumultuous reign and, ultimately, for the glorious era of his son, Akbar.

Today, this historical account reminds us of the layers of meaning embedded in historical texts and the importance of understanding the cultural and spiritual contexts in which they were created. It shows how history can be shaped not just by facts, but by the narratives woven around them.

© 2025 Indo Islamic. All rights reserved.

Experience the timeless aesthetics of Indo-Islamic culture and heritage.